Although my paintings are often described as “abstract,” I do not view them that way. Nothing here is a departure from reality. Each piece arises from a Four-Dimensional Perceptual-Cognitive System which I developed—one that integrates physical sensation, emotional tone, symbolic cognition, and the underlying field of awareness that shapes them.

My aim is to create art that portrays the rhythmic energy of life, uniting art, music, and dance through expressive lines, textures, and luminous colors. The titles of the works serve as clues to what I perceive within the images—points of entry into the perceptual experience that generated them.

This approach has led me to define my work as Imaginal Visionism: an art form rooted in the imaginal realm, where energy, symbol, and meaning arise together in a dimension beyond the five senses.

My paintings are the direct record of perception interacting with cognition in real time. Every line and color is a moment of experience made visible—a trace of how the mind organizes, responds, and reveals. I invite viewers not to interpret these images, but to enter them—to feel their rhythm, to sense their structure, and to encounter the living process of perception from which they emerge.